It’s no joke. I hope everyone stays well in spite of the fact that we have lost more than 100k people in the United States and many more worldwide. Many of us have been sickened, and I know those numbers include writers.
Enter COVID-19 forcing me to self-isolate. Being introverted by nature, I have no problem social distancing. As a retired person, I spend most of my time at home in any event; reading and writing. The rough draft of my work in progress proceeded slowly, requiring much time doing research, thinking, planning and putting words on paper. Now I am beyond the rough draft. I am arranging the scenes, which requires a laptop. This is where the real creative work happens. Character development, adding action to dialogue, generating images to make the story come alive in the reader’s mind.
My current struggle is getting my rough draft into some sort of order. I started with my opening scene–probably not surprisingly. The first page is in constant flux. Should I spend that page in setting the scene, introducing the main character, presenting the problem, or building the conflict? Mystery writers just need to have a body on the first page.
Moving beyond the first page I found the flow of the story moves in fits and starts, jerking from scene to scene like some Frankenstein’s monster learning to walk. For the reader the story must move freely, increasing the tension, challenging the main character to find solutions to problems, and then finding the solutions only complicate the problem. Most readers want relatable characters, conflict beyond World War II itself, a problem to solve, excitement along the way, and a believable and satisfying ending. Not too much to ask, is it?
Keeping the reader entertained and interested is the goal. I love a good dogfight, and the thrust of the battle to retake the Ukraine intrigues me. The Yakovlev fighter aircraft cries out for description. After all, it is one of the secondary characters, as is the Ukrainian Steppes. For some readers that may be enough, but, for those who are not World War II aviation aficionados, it just isn’t.
And, when I feel I might be boring the reader, I procrastinate. I eat, nap, pet the cat, and watch the birds at my numerous bird feeders. I have hummingbirds, deer, and goslings in my back yard. Amazingly, I find my mind moves on resolving conflicts in the story line, and hearing the characters telling me more about themselves, even when I am apparently not listening.
Currently, I am re-writing the first third of the novel. The bones have arranged themselves. In some ways this part is easier and in other ways it’s more difficult. Fitting the pieces together to make a narrative challenges me. I must move some scenes forward in the manuscript and drop some later while maintaining the flow of the weather and the history of the battles in the correct sequences.
The main character’s love interest disappears in the smoke of battle and her heart breaks. But another two-thirds of the book looms ahead, so he must reappear. Right? And she is wrapped up in the battle herself, flying her fighter in the wild dogfights, and shooting down German aircraft.
For those of you working during this period, or, just as scary, not working during this period, and who can’t disappear into their writing, please know I salute your courage and willingness to carry on.